W-X
W-X
Castle Face Records [2015]

Fire Drill Album Review: Tim Presley’s second side project of the year, W-X, follows closely on the heels of his DRINKS project from a few months ago. And much like DRINKS, W-X has its moments, but overall left me feeling disappointed. Maybe my expectations were too high, but after 15 intense listens I can say without a doubt that 5 or 6 bare bones songs hidden amidst a collection of sonic whack-offs is not what I consider a good time. This reminds me of The Apples in Stereo’s Her Wallpaper Reverie in that regard, another “experimental” release that was a handful of really good songs, surrounded by “trippy” sound collages. Don’t get me wrong, this isn’t “throw the cd out of the moving car window” bad (I’m looking at you Grimes), but it’s not something I will ever listen to again now that this review is written. I realize this is pretty harsh, but I’m a fan of the guy. Speaking from one fan to another, I caution you to maybe listen to some of this first before you take the plunge. Hopefully you get more out of your listening experience than I did!
W-X Website
W-X Facebook
Castle Face Records
– Reviewed by Kevin Poindexter
Born and raised in Dayton, Ohio, I am extremely proud of the area I grew up in and the influence it has had on the world at large, from the Wright Brothers to Robert Pollard, the area has been a center of innovation both technologically and artistically. During my college years at the University of Dayton, I found myself becoming more and more immersed in the local music scene, a period of time in the early to mid 90's that coincided with the rise of bands like Guided by Voices, Brainiac, and The Breeders, who added to the rich musical legacy of the area. Dayton is also the hometown of many giants of funk in the 70's and is also the birthplace of Jazz greats Billy Strayhorn, John Scofield and Bud Shank. I wrote extensively for The Fire Note, a great online magazine focused on indie rock, in the 2010's while simultaneously being a partner in Rockathon Records, before retiring from both in 2018. In 2024, my thoughts turned back to helping at Rockathon and more importantly to pick back up on my writing, and more specifically to write about my love of jazz. I'm always listening, always searching for something new, something great. It's been a lifelong journey, and I still feel like there is so much out there to hear.




