Jason Isbell: Something More Than Free [Album Review]

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jason-isbell-something-more-than-freee Jason Isbell
Something More Than Free
Southeastern Records [2015]

Fire Note Says: Isbell hits his stride on confident follow-up to his classic LP Southeastern.

Album Review: After years of flirting with gaining a wider audience, Jason Isbell finally broke big on his excellent fourth album, 2013’s Southeastern. While that album was his most intimate affair both musically and lyrically, Isbell’s newest album, Something More Than Free, straddles the line of having both the intimate and a more band oriented sound similar to his earlier albums. While this might lead you to believe that this would give the album an unfocused feeling, nothing could be further from the truth, what it actually does is make the album flow fantastically, and gives it a nice pace.

Songs like album opener “If It Takes a Lifetime” and lead single “24 Frames” call for a fuller sound, while “Flagship” begs for, and receives a much more stripped down arrangement. The songs are jarring next to each other, but not unpleasant at all, if anything the fuller band songs perfectly set up “Flagship”. “How to Forget” is another outstanding track, which seems to deal directly with Isbell’s past struggles with addiction. Isbell’s significant guitar chops are on full display on “Palmetto Rose”, I know it’s been almost a decade now, but let’s not forget he was once a member of the triple guitar attack of Drive-by Truckers, and on this track and throughout the album, he cuts loose with some great leads to remind us that not only is he one helluva singer/songwriter, but he is a beast on the axe as well.

jason-isbell-studio-2015
Something More Than Free has a vibe to it that’s different than anything I have heard on an Isbell record in the past. The songs still probe the dark places of our souls, but it’s coming at it from a different place, a more mature place, a perspective of someone who has gone thru the darkness and come out into the light on the other end. It sounds confident, and dare I say peaceful and relaxed. Isbell has made peace with his past and has shed a lot of the darkness that filled so many of his earlier songs. His growth as an artist has been remarkable to follow and I am looking forward to many years of great releases from him. It’s a long way from “Goddamn Lonely Love” to “How to Forget”, and it’s been very rewarding to follow Isbell’s growth and development from band member to full-fledged solo artist.

Key Tracks: “24 Frames” / “How to Forget” / “Flagship”

Artists With Similar Fire: Ryan Adams / Drive-By Truckers / Old 97’s

Jason Isbell Website
Jason Isbell Facebook

– Reviewed by Kevin Poindexter

Born and raised in Dayton, Ohio, I am extremely proud of the area I grew up in and the influence it has had on the world at large, from the Wright Brothers to Robert Pollard, the area has been a center of innovation both technologically and artistically. During my college years at the University of Dayton, I found myself becoming more and more immersed in the local music scene, a period of time in the early to mid 90's that coincided with the rise of bands like Guided by Voices, Brainiac, and The Breeders, who added to the rich musical legacy of the area. Dayton is also the hometown of many giants of funk in the 70's and is also the birthplace of Jazz greats Billy Strayhorn, John Scofield and Bud Shank. I wrote extensively for The Fire Note, a great online magazine focused on indie rock, in the 2010's while simultaneously being a partner in Rockathon Records, before retiring from both in 2018. In 2024, my thoughts turned back to helping at Rockathon and more importantly to pick back up on my writing, and more specifically to write about my love of jazz. I'm always listening, always searching for something new, something great. It's been a lifelong journey, and I still feel like there is so much out there to hear.

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