Wild Pink: Still Coming Down [Album Review]

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Wild Pink – Still Coming Down

Still Coming Down

Wild Pink — 2026

ReleasedAugust 21
Label Fire Talk Records
Produced By Alex Farrar
Runtime33 min / 9 tracks

Album Review
Wild Pink • Still Coming Down • Heartland Indie Rock

Still Coming Down finds Wild Pink sounding looser, louder, and more comfortable than ever, with John Ross writing some of his sharpest stories yet.”

John Ross has been running Wild Pink for the better part of a decade, and Still Coming Down is the sixth record where he sounds like he has stopped worrying about anything else and simply enjoyed making music. He beat cancer and became a father in the years before making it, and you can hear that shift in how little the album strains for meaning. The band cut the whole thing in a single week at Drop of Sun in Asheville with Alex Farrar, tracking vocals in a couple of quick bursts rather than laboring over them, and the looseness pays off. I really like how physical this Wild Pink album sounds, with the wear of life written all over its sleeve. The guitars sit bigger and closer to the red, and Ross has said he went back to the grunge records he loved as a teenager, which tracks the second opener “Box Store” comes rolling in on one ringing strum. Longtime fans should not fret, though. Still Coming Down still lands somewhere between rock and Americana, timeless in a way that feels earned without really becoming classic rock.

Like previous Wild Pink records, the writing will keep you coming back. Ross builds these songs like short stories, packing them with drifters, NFL bros, and movies he only half remembers, with Heat, Moneyball, and The Town all flickering past. He has a gift for the funny, specific detail that lands like a punchline before it breaks your heart. “Still Coming Down” is the softest turn, a sauntering thing carried by Meg Duffy’s fretless guitar and Landon George’s fiddle, written for his son and the blinding weight of new love. Then “500 Is The New 250” lurches the other way into scuzz and distortion, trailing a guy who drives his Cybertruck to a bar called Hard Luck to bet on his phone and drink alone. The line, “The Steelers are in Baltimore tonight / I got no dog though, I got no fight,” is Ross’s lyrical wordplay at its best. The record is an easy grower, and it tightens its grip every time you come back.

Pivotal Tracks

“Round Of Applause At The End Of The World”
The lead single is all steely tension and slight distortion. It takes aim at the way misinformation can swallow a whole community, then cuts off mid thought like an argument you were never going to win.
“500 Is The New 250”
This is one of the loudest moments on the record, and the bit about a big guy with an even bigger tattoo telling the Yankee exactly where to go might be one of the funniest things Ross has ever written.
“Still Coming Down”
The title track is an emotional hitter, where Ross’s lyrics trade being pure for simply trying to be good, and it is the clearest proof of the voice he says he finally found.

Artists with Similar Fire

The War On Drugs
If that feeling of a highway at dawn gets its hooks in you, this is the band that turned heartland rock into something that catches your ear and rolls for miles.
MJ Lenderman
For the humor and the extra little details, Lenderman writes the same kind of everyday stories over guitars. His laid back swagger feels very similar.
Jason Isbell
Ross’s instinct for sincerity runs right through Isbell’s catalog, where ordinary characters carry real weight and the band lets the guitars expand when a song asks for it.

The Fire Note Rating: 4

The Fire Note Spin
4 out of 5

Thomas Wilde thrives on the endless variety of the NYC music scene, where every night out reshapes his taste. Writing for TFN lets him share those discoveries, and in his downtime, he’s crate-digging for rare pressings to feed his ever-growing vinyl obsession.

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