The Linda Lindas: Gotta Get Out [Album Review]

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The Linda Lindas – Gotta Get Out

Gotta Get Out

The Linda Lindas — 2026

ReleasedAugust 28
Label Reprise/Warner Records
Produced By Carlos de la Garza
Runtime36 min / 12 tracks

Album Review
THE LINDA LINDAS • GOTTA GET OUT • HOOKY MELODIC PUNK

“The Linda Lindas have always had the chemistry. Gotta Get Out is where that chemistry turns into something bigger.”

The Linda Lindas were kids screaming about injustice in a public library when a lot of us first met them, and watching them grow up across three records has been one of the more fun stories in punk to follow. Gotta Get Out is their third album, and it is the first one where everything feels focused enough to let the songs fully develop. The band retreated to Palm Springs and Long Beach and wrote together in the same room for the first time, and you can hear what that closeness did for them. This record feels big. The songs are sharper, the choruses land harder, and almost every track carries some extra touch, a fade-out here or a call and response there, that lodges in your head and refuses to leave. They even carve out room for a song sung entirely in Spanish with “Helado de Limón,” which shows just how much ground this band wants to cover.

Then there are the moments that rattle the whole thing loose. “Blood On Our Hands” and “Break” come tearing in with a real hardcore intensity, both blasts clocking in at under two minutes. The band screams its messages of “there’s death on our money” and “where do you stand” with a visceral urgency that dares you to look away. That contrast is what makes Gotta Get Out work so well. One minute they are stacking bright modern melodies, the next they are snarling with an edge that recalls The Muffs at their most confrontational, complete with that classic Kim Shattuck bite. Hayley Williams also turns up on “Closer,” but rather than feeling like a marquee guest spot, she slides naturally into the song and gives its already massive chorus another lift.

What ties it all together is how confident the record sounds. These songs move with the confidence of a band that has stopped second-guessing itself while still holding onto some of its youthful edges. From the raw scream-rock blasts to the quieter emo turns, it still sounds like the same four people telling the same story. The Linda Lindas have always had the chemistry. Gotta Get Out is where you can hear that chemistry turning into something bigger, which is even more impressive considering the band still ranges in age from just 16 to 21. Three albums in, they sound less like a young band finding its way and more like one beginning to realize just how many directions it can go.

Pivotal Tracks

“Burning Out”
A hypnotic rock burner about wearing the same clothes for a week straight and running headfirst into walls, all from inside a house they cannot leave. The chorus will stick with you for days.
“Blood On Our Hands”
The record’s fiercest gut punch, barely two minutes of hardcore fury that names mass murder abroad, hunger and stripped healthcare at home, and asks where you stand while the band insists there’s death on everyone’s money.
“I Could Be Wrong”
A melodic ache about being frozen out by someone who stops picking up, built around the idea that a person’s silence can land louder than anything they could have said. That line lands especially hard when they sing, “silence speaks louder than words.” Then the tempo kicks up around a great chorus, with call-out moments and a sharp snap that turns it into one of the album’s highlights.
Artists with Similar Fire

Bikini Kill
The riot grrrl blueprint runs straight through this band, so if the political fury of “Blood On Our Hands” grabs you, Kathleen Hanna should be next in your playlist.
Hole
For the trick of wrapping a giant melody around something raw and genuinely angry. Courtney Love’s band were great at it, and you can hear that same nerve whenever The Linda Lindas let a melody and a scream share the same song.
Ex Hex
Mary Timony’s power trio deals in the same lean, hooky guitar rock, all bright riffs and no wasted motion, which is exactly the muscle driving the sharpest moments on this record.
The Fire Note Rating: 4

The Fire Note Spin
4 out of 5
Review History: No Obligation (2024) Growing Up (2022)

I grew up on Pacific Northwest basement shows, made playlists when I should’ve been sleeping, and still can’t shake my love for shoegaze haze, indie pop honesty, and messy singer/songwriter anthems.

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