2024 has been an outstanding year for music, with a steady stream of exceptional releases making this year’s list one of the most challenging to finalize in TFN’s 18-year history. With hundreds of albums submitted for review, choosing the best of the best is never an easy task. For our annual Best-of list, The Blazing Top 50, TFN follows the rule that only albums we’ve reviewed are eligible for inclusion.

A huge thank you to our writers and readers for another outstanding year on the web. We wish everyone a safe and joyful holiday season. Enjoy the Blazing Top 50, and remember to Discover, Support & Share!

#50

Horse Jumper Of Love
Disaster Trick
Run For Cover Records [2024]

Horse Jumper of Love’s Disaster Trick stood out as their best album yet, blending quiet moments with explosive crescendos. The Boston trio added a heavier, shoegaze-inspired edge to their indie rock sound while staying true to their emotional, introspective roots. Tracks like “Snow Angel” and “Wait by the Stairs” showcased the band’s growth, balancing raw honesty with bold production. Dimitri Giannopoulos’ lyrics reflected on personal growth and past mistakes, making the songs relatable and heartfelt. Fans of bands like Duster or Slowdive should like the mix of melodies and powerful energy. With Disaster Trick, Horse Jumper of Love proved they were still evolving, creating a record that was both stunning and unforgettable.

Horse Jumper Of Love: Disaster Trick [Fire Note Review 08/16/24]

#49

Ty Segall
Three Bells
Drag City Records [2024]

Ty Segall’s Three Bells was another solid outing in his consistently growing catalog, showcasing his ever-evolving creativity. After 2022’s acoustic Hello, Hi, Ty returned to electrics and crafted a bold, risk-taking record filled with expansive indie rock. Tracks like “The Bell” and “Wait” highlighted his fearless experimentation, blending gritty riffs, dynamic shifts, and introspective lyrics. Collaborators like Emmett Kelly, Denee Segall, and Cooper Crain added depth, but Ty’s multi-instrumental talent and fresh songwriting shined throughout. Exploring themes of self-discovery and existential wonder, Three Bells pushed boundaries without losing its Segall core. With its balance of ambition and authenticity, it was a thrilling reminder of why Ty remains one of indie rock’s most exciting voices.

Ty Segall: Three Bells [Fire Note Review 01/25/24]

#48

Tim Easton
Find Your Way
Black Mesa Records [2024]

Tim Easton’s Find Your Way once again found the singer/songwriter standing tall and included on TFN list. Produced by Leeroy Stagger, it showcased Easton’s matured storytelling and rich blend of Americana, folk, and indie rock. The album explored themes of self-discovery, love, and redemption, with lyrics that felt both raw and relatable. Tracks like the heartfelt title opener, the sibling tribute “Little Brother,” and the toe-tapper “Everything You’re Afraid Of” highlighted his poetic depth and musical versatility. Easton’s gravelly voice and experienced guitar playing added warmth to every song, making Find Your Way a reflective and unforgettable journey. This was a record only a seasoned artist could craft, and it left a lasting impression.

Tim Easton: Find Your Way [Fire Note Review 05/16/24]

#47

Topographies
Interior Spring
Dark Entries Records [2024]

Topographies’ sophomore album, Interior Spring, made this final list offering a haunting blend of coldwave, goth, and shoegaze. With themes of guilt, recovery, and resilience, the record delivered deeply personal lyrics from Gray Tolhurst, who drew from his own experiences in recovery. Tracks like “Night Sea” and “Chain of Days” paired shimmering guitars with poignant melodies, while “I Never Understand” and “1959” showcased the band’s dynamic energy and emotional depth. Building on their debut, Topographies refined their sound with lush textures, intricate arrangements, and atmospheric beauty. The result was a timeless album that resonated deeply, cementing the band’s place as a highlight in the year’s music landscape.

Topographies: Interior Spring [Fire Note Review 02/06/24]

#46

Amyl And The Sniffers
Cartoon Darkness
B2B Records / Virgin Music Group [2024]

Cartoon Darkness by Amyl and The Sniffers came is a fiery and fearless punk ride. Produced by Nick Launay, the album expanded the band’s high-energy sound with surprising emotional depth and sharper songwriting. Amy Taylor’s charismatic vocals captured the chaos of modern life, blending humor, rage, and defiance across tracks like “Chewing Gum” and “Big Dreams.” While staying true to their punk roots, the band explored slower tempos and melodic touches, showing impressive growth without losing their edge. From biting commentary on societal absurdities to cathartic anthems, Cartoon Darkness balanced aggression and vulnerability perfectly. It was a thrilling reminder of why Amyl and The Sniffers remain one of punk’s most exciting acts.

Amyl And The Sniffers: Cartoon Darkness [Fire Note Review 10/24/24]

#45

Osees
SORCS 80
Castle Face Records [2024]

Osees’ SORCS 80 was another solid release from the group, showcasing the band’s fearless creativity and evolution. Led by John Dwyer, they ditched guitars and keyboards for synths, samplers, and a brass section, crafting a fresh, high-energy sound. Blending the synth-driven vibes of Intercepted Message with the edgy punk of A Foul Form, the album pushed boundaries while staying true to Osees’ fiery intensity. Tracks like “Drug City” and “Cassius, Brutus & Judas” became instant highlights, delivering plenty of catchy rhythms. With bold lyrics tackling themes of betrayal and self-improvement, SORCS 80 cemented Osees as one of the most innovative bands of the year, proving once again they’re unafraid to take risks and redefine punk rock.

Osees: SORCS 80 [Fire Note Review 08/08/24]

#44

SPRINTS
Letter To Self
City Slang [2024]

SPRINTS’ debut full-length, Letter to Self, released on January 5th, really kicked off year with a thrilling record. The Dublin four-piece brought high energy with their brooding and explosive guitar rock. Their sound mixed rhythmic, pulsating post-punk with gothic influences, delivering a pedal-to-the-floor intensity. Tracks like “Ticking” and “Heavy” showcased the band’s fierce passion, while “Adore Adore Adore” left listeners hooked with its attitude and memorable chorus. Building on their earlier EPs, this album captured the natural growth fans had witnessed in their live shows. Drawing comparisons to Amyl and the Sniffers and The Distillers, Letter to Self proved SPRINTS to be a new powerful force in modern indie rock.

SPRINTS: Letter To Self [Fire Note Review 01/16/24]

#43

Split System
Vol. II
Goner/Drunken Sailor/Legless Records [2024]

Split System’s Vol. II earned its spot among the year’s best albums with its electrifying mix of feverish punk energy and classic rock hooks. Featuring members of Australian punk greats Stiff Richards and Speed Week, the band delivered 11 tracks that felt both fresh and timeless. Jackson Reid Briggs’ weathered vocals, powerful riffs, and tight production gave songs like “The Wheel” and “Alone Again” undeniable replay value. Tracks like “The Drain” showcased their versatility with post-punk flair, while “The Blues” proved irresistible with its killer guitar solo. Recorded at Melbourne’s Rolling Stock Studios, Vol. II balanced grit and polish, expanding on their debut’s sound while staying true to their roots. This record was punk rock at its finest.

Split System: Vol. II [Fire Note Review 03/06/24]

#42

Parlor Greens
In Green / We Dream
Colemine Records [2024]

Parlor Greens’ debut album, In Green / We Dream, earned its spot as a must-listen for fans of soul, jazz, and funk. This Colemine Records supergroup—featuring Adam Scone, Jimmy “Scratch” James, and Tim Carman—delivered an instrumental album full of chemistry and groove. Tracks like the high-energy opener “Driptorch” and the soulful title track showcased their mastery of the genre, while their take on George Harrison’s “My Sweet Lord” added a memorable closing touch. Drawing comparisons to legends like Booker T. & The M.G.’s and The Meters, In Green / We Dream balanced tight grooves and dynamic interplay, making it a true gem for lovers of timeless funk and soul.

Parlor Greens: In Green / We Dream [Fire Note Review 07/19/24]

#41

SLIFT
ILION
Sub Pop Records [2024]

SLIFT’s ILION was an 80-minute journey through the vastness of time, space, and humanity’s cyclical nature. Following their acclaimed UMMON, the French trio pushed their sound further, blending heavy stoner rock, psych-metal, and post-rock grandeur into a swirling cosmic masterpiece. Tracks like the towering title opener and the hypnotic “The Story That Has Never Been Told” showcased their love for intricate structures and extended jams. Inspired by the fall of Troy, ILION delivered a Homeric narrative alongside its epic sonic landscapes. With walls of cascading guitars, bold tempo shifts, and immersive lyrics, this album firmly established SLIFT as leaders in the heavy psych space rock category.

SLIFT: ILION [Fire Note Review 01/19/24]

#40

Marbled Eye
Read The Air
Summer Shade/Digital Regress [2024]

Marbled Eye’s Read The Air earned its place as one of the year’s top albums by combining post-punk intensity with garage rock energy. Released via Summer Shade and Digital Regress, the Oakland band returned with a focused, dynamic sound after years of challenges, including lineup changes and the pandemic. The album’s tightly crafted tracks showcased experimental tempos, visceral rhythms, and memorable moments like the twisting guitars of “In The Static” and the bleak yet captivating “Motion.” Lyrically, Read The Air explored themes of societal disillusionment and existential dread, making it both introspective and relatable. Fans of Protomartyr or Interpol will find a lot to love in this disciplined yet fiery release, which proved Marbled Eye’s enduring creativity.

Marbled Eye: Read The Air [Fire Note Review 03/21/24]

#39

Kelly Finnigan
A Lover Was Born
Colemine Records [2024]

Kelly Finnigan’s A Lover Was Born was easily as one of the year’s best albums, showcasing his evolution as a soul artist and producer. Known as the frontman of Monophonics, Finnigan poured his heart into this solo effort, crafting 11 tracks that blended Northern, deep, and psychedelic soul with hip-hop-inspired beats. The album’s rich production, featuring gospel vocals, bold brass, and vintage textures, created a timeless sound. Tracks like “Prove My Love” and “Be Your Own Shelter” highlighted his versatility, while songs such as “Love (Your Pain Goes Deep)” added emotional depth. With authentic lyrics and a cohesive narrative, A Lover Was Born secured Finnigan’s place among modern soul’s most compelling voices.

Kelly Finnigan: A Lover Was Born [Fire Note Review 10/17/24]

#38

Merce Lemon
Watch Me Drive Them Dogs Wild
Darling Recordings [2024]

Merce Lemon’s Watch Me Drive Them Dogs Wild was a nice surprise, blending indie rock and folk with burning intensity and emotional sincerity. The Pittsburgh artist built on her roots in the city’s creative community, crafting an album inspired by nature and personal transformation. Her evolution since her debut Moonth was striking, as she wove delicate ballads with electric riffs. Tracks like “Backyard Lover” and “Foolish and Fast” showcased her lyrical honesty, balancing vulnerability and swagger. Lemon’s vivid imagery and dynamic arrangements echoed the styles of Big Thief and Waxahatchee, solidifying her as a up and coming force in indie music. With its heartfelt themes and captivating sound, Watch Me Drive Them Dogs Wild was one of the year’s essential listens.

Merce Lemon: Watch Me Drive Them Dogs Wild [Fire Note Review 10/02/24]

#37

Redd Kross
Redd Kross
In The Red Records [2024]

Redd Kross’s new self-titled album blended vibrant power pop, rock anthems, and psychedelic ballads with their signature playful charm. Produced by Josh Klinghoffer, the album showcased polished yet energetic production, marking a triumphant return for the band. Tracks like the infectious “Candy Coloured Catastrophe” and reflective closer “Born Innocent” highlighted their knack for catchy melodies and introspective lyrics. With influences ranging from The Beatles to Cheap Trick, Redd Kross proved the band’s ability to evolve while staying true to their roots. Though it had a lengthy 58-minute runtime, the album thrived on its diversity and energy, securing its place as one of the year’s best records and reaffirming the band’s enduring legacy.

Redd Kross: Redd Kross [Fire Note Review 06/28/24]

#36

The Drin
Elude The Torch
Feel It Records [2024]

The Drin’s Elude The Torch solidified their place as one of the year’s most intriguing indie rock acts. Evolving from Dylan McCartney’s solo project into a powerhouse sextet, the Cincinnati band delivered their most cohesive and ambitious album yet. Packed with layered instrumentation—saxophone, synthesizer, percussion, and strings—it offered a richly textured and inviting sound. Tracks like the psychedelic “Bascinet” and the intense title track showcased their dynamic range, while “Tomorrow’s Just Laughin’” added a surprising country twist. With refined production, moody spoken-word vocals, and post-punk influences reminiscent of Joy Division and The Fall, Elude The Torch was a bold, emotionally charged record that rewarded listeners with something new on every spin.

The Drin: Elude The Torch [Fire Note Review 07/09/24]

#35

The Bug Club
On The Intricate Inner Workings Of The System
Sub Pop Records [2024]

The Bug Club’s On the Intricate Inner Workings of the System was a solid blend of garage rock, punk, and classic rock that once again found the band delivering high energy and sharp songwriting. The South Wales trio delivered a lo-fi record filled with humor, infectious melodies, and relentless rhythms. Tracks like “War Movies” and “Quality Pints” showcased their knack for witty, fast-paced storytelling, while “Better Than Good” leaned into charming simplicity. Compared to last year’s Rare Birds, this album embraced a back-to-basics approach, focusing on thematic cohesion and dynamic punch. Balancing surreal humor with clever wordplay, The Bug Club proved their ability to create an album as thought-provoking as it was fun—a true gem of 2024.

The Bug Club: On The Intricate Inner Workings Of The System [Fire Note Review 08/29/24]

#34

Sharp Pins
Radio DDR
Self-Released [2024]

Sharp Pins, the solo project of Kai Slater (known for fronting Lifeguard), delivered one of the year’s most catchy and under the radar releases with Radio DDR. Building on the lo-fi groundwork of Turtle Rock, this sophomore effort embraced richer production and layered instrumentation while staying true to its jangly, retro-inspired roots. Slater drew from 1960s British rock and 90s indie-pop to craft irresistibly catchy guitar-driven tracks, blending nostalgic tones with modern sensibilities. Highlights like “Every Time I Hear” and “Lorelei” showcased his knack for infectious melodies and thought provoking lyrics. By expanding his sound and enlisting additional musicians, Slater created a collaborative, timeless experience that felt both fresh and familiar—cementing Radio DDR as a must-hear gem of 2024.

Sharp Pins: Radio DDR [Fire Note Review 11/12/24]

#33

Rick Rude
Laverne
Best Brother/Midnight Werewolf Records [2024]

Rick Rude’s Laverne was a knockout return, marking their first album in six years and showcasing immense growth. Released through Best Brother/Midnight Werewolf Records, this New England band cranked up the guitars and delivered their most confident effort yet. Laverne brought their signature homemade rock ‘n’ roll to a new level, with big, dynamic tracks like “Winded Whale” and “Agglutination” showing off their knack for building tension and releasing it with electrifying results. With three vocalists trading leads, including highlighted performances from Jordan Holtz, the album felt fresh and vibrant. Blending classic and indie rock influences, Laverne proved Rick Rude’s evolution while staying rooted in their honest, heartfelt style, earning its place as one of the year’s best releases.

Rick Rude: Laverne [Fire Note Review 02/27/24]

#32

Penza Penza
Alto E Primitivo
Funk Night Records [2024]

Alto E Primitivo by Penza Penza made waves in 2024 with its bold fusion of rock, funk, and psychedelia. The album, recorded live in Portugal and Estonia, impressed with its tight, jam-based tracks and unique sound that showcased Misha Panfilov and his talented friends creative use of guitar and dynamic rhythms. The concise 14 tracks blend intricate guitar work, deep grooves, and soulful percussion, marking a significant evolution in Penza Penza’s sound. Big moments like “Wacky” and “Pterodactyl” revealed the group’s versatility, while tracks like “Midnighter” highlighted their ability to slow things down. With this album, Penza Penza solidified their place as one of the year’s most exciting acts, offering an energetic listening experience.

Penza Penza: Alto E Primitivo [Fire Note Review 07/05/24]

#31

Nightshift
Homosapien
Trouble In Mind Records [2024]

Nightshift’s Homosapien was a vibrant and eclectic release that marked a major evolution for the band. The Glasgow collective, now featuring Chris White on guitar and Rob Alexander on drums, blended indie pop with angular post-punk for a unique sound. With the album, Nightshift brought sharp songwriting, tackling themes of societal struggles and personal experiences. Key tracks like “Crystal Ball,” “Cut,” and “Side Effects” showcased their mix of urgency and reflection, while songs like “SUV” added a fun, foot-tapping energy. The band’s new direction and layered compositions made Homosapien an album that was energetic, focused, and never dull, earning it a place on our Best Albums of the Year list.

Nightshift: Homosapien [Fire Note Review 07/26/24]

#30

Been Stellar
Scream From New York, NY
Dirty Hit [2024]

Been Stellar’s Scream From New York, NY impressed with its intense sound that captured the gritty essence of city life. Moving away from their shoegaze roots, the band embraced a more chaotic and forceful style, blending aggressive melodies with atmospheric depth. The album stood out for its emotionally charged lyrics, which explored themes of isolation and existential searching against the backdrop of New York’s turbulent energy. Tracks like the title song, “Scream From New York, NY,” and “All In One” showcased the band at their most powerful, while “Pumpkin” offered a quieter, more intimate moment. Scream From New York, NY earned a spot as one of the year’s best albums for its compelling blend of sound and emotion.

Been Stellar: Scream From New York, NY [Fire Note Review 03/30/23]

#29

Ghost Funk Orchestra
A Trip To The Moon
Colemine/Karma Chief Records [2024]

A Trip to the Moon by Ghost Funk Orchestra landed as one of the year’s best albums with its unique blend of psychedelic soul, jazz-funk, and space age pop. Producer Seth Applebaum expanded on the band’s signature sound with funky grooves, fuzzy guitars, and jazzy horns while drawing inspiration from space exploration. Tracks like “Eyes of Love” and “Helios” stood out for their bold arrangements and catchy rhythms, while songs like “Totality” showcased the group’s signature mix of instrumental flair and groove. The album’s space theme added cohesion and depth, connecting tracks with clever astronomical references. For fans of modern psych-soul, A Trip to the Moon delivered a captivating, genre-blending journey that proved impossible to ignore.

Ghost Funk Orchestra: A Trip To The Moon [Fire Note Review 02/22/24]

#28

Father John Misty
Mahashmashana
Sub Pop Records [2024]

Father John Misty’s Mahashmashana was another ambitious release from Josh Tillman. Blending orchestral compositions with folk-rock and even disco elements, the album explored existential themes with sharp storytelling and lush arrangements. Tillman’s lyrics were his finest yet, mixing biting wit with vulnerability, touching on humanity’s search for meaning. With tracks like the haunting “Mahashmashana” and the upbeat “She Cleans Up,” the album showcased his range, from intimate reflections to grand, cinematic moments. Collaborations with Drew Erickson and Jonathan Wilson added depth, refining the expansive sound. Mahashmashana proved to be a triumph for Father John Misty, and keeping up his reputation as one of the year’s most intriguing artists.

Father John Misty: Mahashmashana [Fire Note Review 11/21/24]

#27

Wussy
Cincinnati Ohio
Shake It Records [2024]

Wussy’s Cincinnati Ohio marked a welcomed return after years of uncertainty, capturing a more introspective and mature sound. The album, their first since 2018’s What Heaven Is Like, showcased their signature “Ohio noise rock” with a mix of textured folk, rock, and dreamy atmospheres. Songs like “The Great Divide” and “Desperation AM” offered a haunting balance of layered guitars and ethereal vocals. Lyrically, the band reflected on loss and personal growth, with lines that felt like pages from a gritty Midwestern novel. With quieter moments and a few uptempo rockers, Cincinnati Ohio proved to be one of Wussy’s finest records, earning it a place on the best albums of 2024 list.

Wussy: Cincinnati Ohio [Fire Note Review 11/14/24]

#26

Fontaines D.C.
Romance
XL Recordings [2024]

Fontaines D.C.’s Romance marked a bold evolution in the band’s sound, taking their gritty post-punk roots and blending them with experimental elements like grunge, hip-hop beats, and shoegaze. The album’s expansive sound and rich layers reflected the band’s growth, with themes of love, identity, and existential reflection woven throughout. Tracks like “Starburster” and “Here’s The Thing” showcased the band’s snarky attitude and new sonic territory, while “Favourite” proved their ability in blending post-punk with 90s indie vibes. Produced by James Ford, Romance captured the band’s experimental edge while maintaining the live energy that fans love. It was a standout release, proving Fontaines D.C.’s continued innovation and musical maturity.

Fontaines D.C.: Romance [Fire Note Review 08/23/24]

#25

Shellac
To All Trains
Touch And Go Records [2024]

Shellac’s To All Trains marked the band’s return after a ten-year hiatus, and it became an even more powerful record following the sudden loss of Steve Albini just days before its release. Albini’s signature jagged guitar riffs, alongside Todd Trainer’s pounding drums and Bob Weston’s thunderous bass, fueled the album’s fierce, uncompromising sound. The 28-minute record captured the trio’s legendary synergy, with tracks like “WSOD” and “Chick New Wave” blasting through speakers, while the eerie closer “I Don’t Fear Hell” offered a haunting farewell. In light of Albini’s passing, To All Trains stands as a lasting tribute to his legacy and proves why Shellac will always be a must listen in noise rock and post-hardcore.

Shellac: To All Trains [Fire Note Review 05/21/24]

#24

GOAT
GOAT
Rocket Recordings [2024]

GOAT’s self-titled album showcased why the Swedish collective remains a force in the psych-world scene. Blending hypnotic rhythms, fiery guitars, and ceremonial chants, GOAT delivered an experience that felt both primal and futuristic. The record struck a perfect balance between high-energy grooves like “One More Death” and meditative tracks like “Fools Journey,” which offered serene, jazz-infused moments. Known for their mysterious aura, GOAT took bold new steps on this album, weaving free jazz, tribal percussion, and even hip-hop-inspired beats into their signature psychedelic sound. Themes of life cycles and transcendence added depth to an already captivating journey. GOAT wasn’t just a return to form—it was a thrilling leap into uncharted territory for the enigmatic group.

GOAT: GOAT [Fire Note Review 10/15/24]

#23

Meatbodies
Flora Ocean Tiger Bloom
In The Red Records [2024]

Flora Ocean Tiger Bloom by Meatbodies was one of the year’s boldest and most captivating records. Packed with sprawling, psychedelic rock anthems, the album showcased frontman Chad Ubovich’s transformative personal journey, blending themes of redemption and reinvention with dynamic, genre-defying soundscapes. From the Smashing Pumpkins-inspired sweetness of “Hole” to the stormy, six-minute build of “The Assignment,” every track felt like a deep dive into an electrifying sonic world. Drawing influence from legends like Pink Floyd and contemporary icons like The Black Angels, the band struck a perfect balance of nostalgic alt-rock energy and modern experimentation. With its emotional hits and mind-bending flow, Flora Ocean Tiger Bloom was a hypnotic monster of a record worthy of year-end acclaim.

Meatbodies: Flora Ocean Tiger Bloom [Fire Note Review 03/08/24]

#22

The Smile
Wall Of Eyes
XL Recordings [2024]

The Smile proved their debut wasn’t a fluke with Wall of Eyes, a thrilling, dynamic follow-up released earlier in the year. Featuring Thom Yorke, Jonny Greenwood, and Tom Skinner, the album showcased longer, evolving song structures that kept listeners on their toes. Tracks like “Bending Hectic” balanced shimmering beauty with explosive intensity, while Skinner’s inventive drumming became the band’s secret weapon, driving tracks like “Under Our Pillows” and “Teleharmonic.” Wall of Eyes combined Yorke’s trademark dystopian lyrics with orchestral flourishes and bold riffs, feeling both fresh and familiar. Highlighting their creative momentum, The Smile followed up Wall of Eyes in early October with Cutouts. With Wall of Eyes, The Smile solidified their place among the year’s best.

The Smile: Wall Of Eyes [Fire Note Review 02/06/24]

#21

Geordie Greep
The New Sound
Rough Trade Records [2024]

Geordie Greep’s The New Sound marked an audacious solo debut following black midi’s indefinite hiatus. The album showcased Greep’s unparalleled creativity, weaving cabaret torch songs, Latin jazz fusion, and art pop with knotty prog rock into a surprisingly cohesive tapestry. Fans of black midi found familiar complexity and unpredictability, but Greep ventured far beyond, incorporating lush Latin rhythms and jazzy textures. Tracks like “Blues,” with its frenetic jazz-fusion climax, and the sprawling epic “The Magician” highlighted his inventive genius. Greep’s distinctive vocals and surreal first-person narratives anchored the chaotic brilliance, exploring characters with dark secrets and raw emotions. The New Sound was both a bold reinvention and a fitting evolution for one of experimental music’s brightest talents.

Geordie Greep: The New Sound [Fire Note Review 10/04/24]

#20

Karkara
All Is Dust
Le Cépe/EXAG’/Stolen Body Records [2024]

Karkara’s All Is Dust was a monumental release in 2024, highlighting the French psychedelic rock trio as a force to be reckoned with. This concept album unfolded a gripping post-apocalyptic tale through six immersive tracks, blending stoner rock, heavy krautrock, and psychedelic jams. The addition of saxophone and trumpet brought new depth to their already dynamic sound, with memorable moments like the relentless “The Chase” and the soaring title track. Their narrative, a search for a utopia called Anthropia, struck a chord with its reflection on humanity’s fragility. A sonic journey as intense as their live shows, All Is Dust earned its place among the year’s best albums by pushing boundaries and delivering a powerful, unforgettable experience.

Karkara: All Is Dust [Fire Note Review 03/22/24]

#19

Nick Cave & The Bad Seeds
Wild God
Bad Seed/PIAS Recordings [2024]

Wild God by Nick Cave & The Bad Seeds was a breathtaking return to full-band glory, earning its place as one of the year’s best albums. After years of minimalist releases, this record reintroduced the band’s rich, layered instrumentation with stunning results. Tracks like “Frogs” and “Wild God” showcased the band’s ability to weave haunting narratives with cinematic musicality, while “Conversion” built from a quiet intimacy to an electrifying, choir-backed crescendo. Nick Cave’s lyrical genius shone as he explored faith, mortality, and human emotion through vivid storytelling and poignant imagery. Co-produced with Warren Ellis and featuring contributions from Colin Greenwood and Luis Almau, Wild God was a bold, dynamic statement of evolution and creative renewal.

Nick Cave & The Bad Seeds: Wild God [Fire Note Review 08/30/24]

#18

Los Campesinos!
All Hell
Heart Swells [2024]

Los Campesinos! returned after a seven-year hiatus with All Hell, a self-released album that proved the band is still at the top of their game. Blending their signature indie emo rock with refined production, the record featured lush arrangements, including strings and saxophone, and showcased their matured sound. Tracks like “A Psychic Wound” and “0898 Heartache” stood out for their emotional pull and anthemic energy, while Gareth David’s clever, introspective lyrics remained a highlight. The album balanced soaring rock moments with quieter introspection, proving Los Campesinos! could evolve while staying true to their roots. All Hell was a testament to how a band can age gracefully, making it one of the year’s most exciting indie rock releases.

Los Campesinos!: All Hell [Fire Note Review 07/24/24]

#17

Guided By Voices
Strut Of Kings
GBV Inc. [2024]

Guided By Voices’ Strut Of Kings proved why the band remains indie rock royalty. Their 41st studio album, recorded in Brooklyn, showcased a mix of punchy anthems and heartfelt ballads, delivering some of their most memorable melodies in years. Tracks like “Fictional Environment Dream” and “Serene King” highlighted their ability to craft infectious hooks, while the emotional “Bit Of A Crunch” stood out as a stunning power ballad. Robert Pollard’s vivid and imaginative lyrics shone throughout, balancing the surreal with the reflective. This release captured the evolution of their sound, blending their lo-fi roots with polished indie rock energy. A masterclass in songwriting, Strut Of Kings of course resonated with longtime fans but also has the ability to introduce the brilliance of GBV to new listeners.

Guided By Voices: Strut Of Kings [Fire Note Review 06/27/24]

#16

Vampire Weekend
Only God Was Above Us
Columbia Records [2024]

Vampire Weekend’s Only God Was Above Us marked a celebrated return, five years after Father of the Bride. The band’s fifth album blended indie rock, pop, and world music influences with a newfound focus, delivering 10 tracks that felt fresh yet familiar. Songs like “Capricorn,” “Gen-X Cops,” and “Classical” showcased their signature mix of intricate instrumentation, catchy hooks, and clever lyrics, while themes of history and identity wove through the album’s reflective storytelling. Drawing on their past while pushing their sound forward, Vampire Weekend delivered an eclectic, vibrant collection that proved their staying power in 2024. It was a confident, witty, and endlessly replayable LP, earning its spot as one of the best albums of the year.

Vampire Weekend: Only God Was Above Us [Fire Note Review 04/05/24]

#15

King Gizzard & The Lizard Wizard
Flight b741
p(doom) Records [2024]

King Gizzard & the Lizard Wizard’s Flight b741 was one of their most straightforward rock releases yet. After a few years of experimental ventures, the band returned to their roots with a 70s bluesy hard rock vibe, blending fuzzed-out guitars, energetic drumming, and soulful vocals. Echoing influences from classic acts like Led Zeppelin and AC/DC, Flight b741 showcased King Gizzard’s ability to fuse high-octane rhythms with adventurous twists. Tracks like “Le Risque” and “Mirage City” jumped out with their boogie-infused grooves, while the album’s aviation themes and claymation cover tied the whole package together. A must-listen for fans of rootsy rock with a modern, psych edge.

King Gizzard & The Lizard Wizard: Flight b741 [Fire Note Review 08/09/24]

#14

Beak>
>>>>
Temporary Residence LTD [2024]

Beak>’s >>>> was a total surprise release that grabbed attention with its experimental sound. Created in a remote house and recorded at Invada Studios, the album was meant to be heard as a complete work, not just a collection of songs. Its mix of krautrock, electronic, prog, and psychedelic influences created a unique atmosphere, drawing comparisons to bands like Can and Neu!. Tracks like “Strawberry Line” and “Hungry Are We” showcased the band’s ability to seamlessly blend genres and experiment with sound. With deep lyrics exploring memory and identity, >>>> earned its place as one of the year’s most intriguing listens, rewarding those who gave it multiple listens. Plus, the album cover became an instant classic.

Beak>: >>>> [Fire Note Review 06/06/24]

#13

2nd Grade
Scheduled Explosions
Double Double Whammy [2024]

Scheduled Explosions by 2nd Grade made a big impression in 2024, offering a creative leap for Philadelphia’s Peter Gill. The 23-track album mixed nostalgic power-pop with chaotic lo-fi energy, showcasing Gill’s signature blend of humor and reflection. With fast-paced earworms, the album captured a fresh, experimental spirit that felt both accessible and unpredictable. Drawing from 60s pop, psychedelia, and punk, the album’s quick tempo changes and emotional depth made it pop out. The tracks, such as “Triple Bypass in B-Flat” and “Like Otis Redding,” were catchy yet introspective, sticking in your head long after they ended. Scheduled Explosions proved 2nd Grade’s ability to blend the familiar with the bizarre, locking its place as one of the year’s best.

2nd Grade: Scheduled Explosions [Fire Note Review 10/25/24]

#12

Mannequin Pussy
I Got Heaven
Epitaph Records [2024]

I Got Heaven by Mannequin Pussy made a huge splash this year, earning a spot on TFN’s Top 50 albums of the year. The album was a bold step forward for the band, mixing punk, pop, and hardcore influences with true emotion. It explored themes of desire, loneliness, and love with a maturity that still captured the band’s high octane spirit. From the driving opener “I Got Heaven” to the intense “OK? OK! OK? OK!”, the album blended powerful guitar riffs with introspective lyrics. Marisa Dabice’s vocals shined throughout, transforming from delicate to fierce. I Got Heaven was a daring evolution for the band, combining their punk roots with new sounds and collaborative creativity, making it a must-listen for fans and newcomers alike.

Mannequin Pussy: I Got Heaven [Fire Note Review 03/01/24]

#11

julie
my anti-aircraft friend
Atlantic Records [2024]

my anti-aircraft friend marked a major leap for julie, the Orange County art-rock trio. The album built on their 2021 EP Pushing Daisies, showcasing a more refined sound with complex compositions and layered vocals. Blending shoegaze, grunge, and noise-pop, julie pushed musical boundaries with tracks that shifted from calm to chaotic, reflecting their growing confidence. Songs like “clairbourne practice” and “feminine adornments” highlighted the band’s ability to mix distortion with melody, while their lyrics explored themes of conflict and introspection. With this perfect mix, my anti-aircraft friend felt like a fully realized debut that positioned julie as one of the most exciting new acts of the year.

julie: my anti-aircraft friend [Fire Note Review 09/24/24]

#10

Waxahatchee
Tigers Blood
ANTI- [2024]

Waxahatchee’s Tigers Blood was one of the best albums of the year, showcasing Katie Crutchfield’s evolution as an artist. With a mix of alt-country, indie rock, and folk, the album’s sound was both fresh and familiar. Crutchfield’s raw, Southern voice and her thoughtful lyrics on themes like love, addiction, and resilience took center stage. The collaboration with MJ Lenderman added an extra layer of depth, with his harmonies elevating tracks like “Right Back To It” and “Bored.” The album’s emotional range was best captured in “365,” a vulnerable reflection on addiction. Waxahatchee’s songwriting and vocal performance made Tigers Blood an unforgettable and powerful album that deserved its spot on the Top 50.

Waxahatchee: Tigers Blood [Fire Note Review 03/26/24]

#9

Mount Eerie
Night Palace
P.W. Elverum & Sun [2024]

Night Palace by Mount Eerie was a bold, expansive double album that showcased Phil Elverum’s evolution as an artist. Spanning 26 tracks, it blended lo-fi folk, indie rock, and atmospheric soundscapes, with Elverum’s intimate vocals and analog production creating a unique sense of place. The album’s themes of grief, belonging, and nature’s connection resonated deeply, particularly through its nerve feeling emotions. Tracks like “Broom of Wind” and “Swallowed Alive” demonstrated Elverum’s ability to shift between tender reflection and intense energy. Night Palace balanced minimalist aesthetics with new, layered production, reflecting both his past and a bold forward-thinking approach. Its haunting, meditative nature earned it a spot as one of the year’s best albums.

Mount Eerie: Night Palace [Fire Note Review 11/07/24]

#8

The Cure
Songs Of A Lost World
Fiction/Capitol Records [2024]

Songs of a Lost World, The Cure’s first album in 16 years, was a fantastic surprise this year. Combining familiar post-punk atmospheres with a matured, introspective sound, the album explored themes like isolation, mortality, and self-identity. Robert Smith’s haunting vocals and poignant lyrics were paired with atmospheric keyboards and intricate guitar work, creating a deeply emotional experience. Tracks like “Alone” and “Endsong” showcased the band’s mastery of mood and storytelling, making the album a standout in their catalog. With a mix of haunting reflection and fresh sonic exploration, Songs of a Lost World captured the essence of The Cure’s legacy while introducing a new chapter in their ongoing journey.

The Cure: Songs Of A Lost World [Fire Note Review 11/05/24]

#7

Mdou Moctar
Funeral For Justice
Matador Records [2024]

Mdou Moctar’s Funeral For Justice was another bold statement in this bands career, blending traditional Tuareg rhythms with explosive rock energy. Following the success of Afrique Victime, this album took Moctar’s guitar skills to new heights, with aggressive, politically charged tracks addressing issues like terrorism, colonialism, and the Tuareg people’s struggles. The record stood out for its urgent, fiery sound and sharp political messages, with tracks like the title song and “Oh France” delivering hard-hitting critiques. Mdou Moctar’s passion and awing guitar work resonated strongly, making Funeral For Justice one of the year’s most engrossing albums. The clean production and intense musical evolution made this an unforgettable listening experience, solidifying their place as one of the year’s top acts.

Mdou Moctar: Funeral For Justice [Fire Note Review 05/03/24]

#6

Kim Deal
Nobody Loves You More
4AD [2024]

Kim Deal’s Nobody Loves You More marked a bold new chapter in her career, blending her signature indie rock style with fresh, experimental elements. The album featured eleven tracks that mixed intimate, introspective songwriting with dynamic arrangements, showcasing Deal’s distinctive voice. From the orchestral surprise of the title track to the energetic indie rock of “A Good Time Pushed,” the album explored a range of textures, including acoustic introspection and vibrant rock. Deal’s lyrics, personal yet universal, connected deeply with listeners. With standout moments like “Are You Mine?” and “Coast,” Nobody Loves You More proved that Deal is still evolving while staying true to her roots. With Deal’s resume, a solo record was a huge risk but Nobody Loves You More was the perfect mix of her past and present. A true highlight of 2024’s music releases.

Kim Deal: Nobody Loves You More [Fire Note Review 11/22/24]

#5

Ekko Astral
pink balloons
Topshelf Records [2024]

Ekko Astral’s debut pink balloons was a fierce and unforgettable entry into the music world. Blending post-punk energy with no-wave experimentalism, the album delivered raw power and an unflinching message of defiance. The band’s intense, chaotic sound pushed boundaries, tackling themes of gender-based violence and resistance. Tracks like “head empty blues” and “baethoven” showcased the band’s rebellious spirit, while “devorah” and “i90” highlighted their ability to fuse melody with noise. Jael Holzman’s lyrics captured the struggles of marginalized voices with sharp wit and urgency. pink balloons stood out in 2024 for its unapologetic political stance and groundbreaking sound, earning its place among the best albums of the year.

Ekko Astral: pink balloons [Fire Note Review 04/24/24]

#4

Jack White
No Name
Third Man Records [2024]

No Name by Jack White was one of the most exciting rock albums of the year. A fuzzy, garage-rock scorcher, it showcased White’s distinctive blend of blues, rock, and gritty guitar riffs. Released through his label, Third Man Records, it felt like a surprise gift to fans, continuing his commitment to analog sound and DIY aesthetics. Tracks like “Old Scratch Blues” and “Bless Yourself” were hard-hitting and live-ready, while “That’s How I’m Feeling” and “What’s The Rumpus?” captured White’s unique energy. With its lo-fi power and thought-provoking lyrics, No Name proved to be one of White’s most consistent and energetic solo efforts to date, locking in his place among the year’s best releases.

Jack White: No Name [Fire Note Review 08/06/24]

#3

Being Dead
EELS
Bayonet Records [2024]

Being Dead’s EELS was a bold step forward for the Austin duo, blending chaotic garage rock, shoegaze, and folk into an unpredictable yet cohesive album. Working with producer John Congleton, they took a more experimental approach than their debut, pushing their sound into new territory. The album’s 16 tracks showcased their knack for shifting moods and tempos, offering a unique experience with each song. From the post-punk energy of “Van Goes” to the lo-fi beauty of “I Was a Tunnel,” EELS captured all sides of your feelings. With catchy vocal harmonies and inventive instrumentation, Being Dead’s second album stood out as one of the year’s most adventurous releases, earning a well-deserved spot on the best albums list.

Being Dead: EELS [Fire Note Review 09/27/24]

#2

MJ Lenderman
Manning Fireworks
ANTI- [2024]

Manning Fireworks by MJ Lenderman marked a major step forward for the Asheville-based artist. Building on the success of Boat Songs, Lenderman’s fourth album balanced sharp wit with deeper emotional exploration. The album blended indie rock, Southern rock, and Americana with a unpolished yet refined sound. Lenderman’s guitar work and songwriting were more dynamic, diving into themes of self-reflection and personal struggle. Tracks like “Joker Lips” and “She’s Leaving You” showcased his talent for turning vulnerability into powerful storytelling. With its mix of humor, introspection, and cathartic energy, Manning Fireworks highlighted Lenderman as one of the year’s standout indie voices.

MJ Lenderman: Manning Fireworks [Fire Note Review 09/06/24]

#1 – Album Of The Year

Cindy Lee
Diamond Jubilee
Realistik Studios [2024]

Cindy Lee’s Diamond Jubilee was an exceptional, self-released album that captivated listeners with its sprawling, 32-song collection. Crafted by Patrick Flegel, known for their work with the post-punk band Women, the album marked a bold departure into a dreamy, genre-blending sound. Combining lo-fi bedroom recording with orchestral rock, desert psychedelia, and synth influences, Diamond Jubilee created a haunting atmosphere that drew listeners in. Tracks like “Kingdom Come” and “Don’t Tell Me I’m Wrong” showcased Flegel’s unique style, while the album’s eclectic blend of melancholy, energy, and nostalgia kept things fresh and exciting. With lyrics exploring love, loss, and memory, Diamond Jubilee was both intimate and expansive, pulling listeners into its captivating world. Its two-hour length never overstayed its welcome, making it a standout release. Flegel’s ability to craft such a rich, immersive experience was a true achievement. Diamond Jubilee was a remarkable, genre-defying work that felt fresh and timeless, making it an easy choice for Album of the Year.

Cindy Lee: Diamond Jubilee [Fire Note Review 04/16/24]